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But I say, better to regret something that you have done than regret something you haven’t done.” “We’ve played about ten times now and though we’re getting better, we play better in a garage.
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“We’re terrible,” he says cheerfully in 1993. He wants to play some music with some friends, so he starts a mediocre band whose mediocrity he ameliorates by never once insisting that people pretend they’re great. At no point does he seem motivated by a desire to hyphenate his job title. He is not a restless “creative” seeking a bigger canvas on which to paint. He never seems eager to have this work interpreted as an extension of some larger artistic practice. Off to the side, head down, Joe Rhythm Section keeping time. He’s not the lead singer, for one thing-he’s just the bass player. Whatever the other guys are thinking, for Keanu this is just a hang, at least at first, and even once it becomes more than that, he approaches the whole situation in an admirably un–Thirty Seconds to Mars–esque fashion. Especially in Los Angeles, where you kind of have to take up a hobby-it’s why people play street hockey, which is another thing Keanu starts doing around this time.
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So begins the story of Dogstar, a professional rock band that forms and eventually tours the world and puts out two major-label albums, all because it’s really hard to make new guy friends in your thirties, even if you’re Keanu Reeves. At this point in his life Keanu has finally abandoned his hotel-hobo lifestyle and rented an actual house in Los Angeles he and Mailhouse start jamming there with Gregg Miller, a singer and guitarist who’s also a part-time actor. Keanu has been known to fool around on the bass. But after hockey brings them together, the thing Mailhouse and his fellow actor Keanu Reeves bond over isn’t acting. Chances are you’ve seen Mailhouse on TV, whether you know it or not-he goes on to play a philandering hospital administrator on Melrose Place and a detestable network executive on Aaron Sorkin’s Sports Night and the gay man Elaine tries to convert to heterosexuality on Seinfeld, and by the mid-2000s he’s earned TV’s most distinguished working-actor merit badge by guest-starring on three different shows in the CSI universe. When he meets Keanu he’s in the middle of a two-year run on Days of Our Lives as a police officer named Brian Scofield, a performance that will win him the Soap Opera Digest Award for Outstanding Comic Relief Role in 1992. The guy in the jersey is an actor named Robert Mailhouse. He sees a guy in a Detroit Red Wings jersey and starts talking to him about hockey. The way it happens is simultaneously totally normal and totally Hollywood. had not listened or deliberately copied the vocal style of Craig David, but in some of the vocals, there was more than a passing similarity, although he strayed into Stevie Wonder territory on the track "I Was Wrong.And yet: in 1991, when he’s somewhere between Point Break and Dracula and old enough to know better, Keanu starts a band.
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Coming from very different worlds, one could be fairly sure that Bobby V. It was just as well the song was only two minutes long for the erotica (and hero worship) was building nicely into a crescendo. Especially indicative of this was the title track, which was a live get together with Valentino and one of his female fans.
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The opening track, "Anonymous," featured the talents of Timberland, who appeared to pop up on just about every R&B album from the mid-2000s, but this set the scene for the whole album, which was a series of 16 songs with Bobby making love to the microphone over a sensual beat and even more sexual strings.
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released another solo album, Special Occasion, in the middle of 2007, a slice of modern urban R&B with enough confidence to credit it simply to his first name, Bobby (assuming that everybody would know who it was). After releasing his debut solo album in the spring of 2005, Bobby V.